Andrew Lloyd Webber's Passion for Pre-Raphaelite Art: A Journey Through Victorian Beauty
The renowned musical theater composer, Andrew Lloyd Webber, made a stop in Wilmington during the revival tour of "Phantom of the Opera" to discuss his passion for Victorian-era art. At the Delaware Art Museum, Webber engaged in an onstage interview with curator Sophie Lynford about his collection of Pre-Raphaelite art. His fascination with this art movement dates back to his teenage years in the 1960s, where he rebelled against the prevailing notion that Victorian art was inferior.
The Pre-Raphaelite artists, who emerged in 1848, rejected the art of the Renaissance and later periods, favoring the crisp lines and vibrant colors of medieval paintings. However, by the early 20th century, their style fell out of favor, with many dismissing it as irrelevant. Webber's interest in collecting Pre-Raphaelite art began during a time when these works were undervalued and often discarded.
Despite facing criticism from the art establishment, Webber and a group of like-minded individuals recognized the beauty and significance of Victorian art. In the 1960s, there was a shift in England towards appreciating Victorian architecture and art, leading to a renewed interest in preserving these cultural treasures. Webber's collection of Pre-Raphaelite art is now one of the largest in private hands, showcasing his deep appreciation for this artistic movement.
During his appearance at the Delaware Art Museum, Webber also discussed the enduring influence of Pre-Raphaelite art on contemporary culture. He highlighted Taylor Swift's recent album, which features a song inspired by the character Ophelia from Shakespeare's "Hamlet," a figure often depicted in Pre-Raphaelite paintings. Swift's interest in Ophelia may have been influenced by her visit to Webber's home, where she was surrounded by his collection of Pre-Raphaelite artworks.
Webber's passion for Victorian art and his extensive collection serve as a testament to the enduring appeal of the Pre-Raphaelite movement. Through his advocacy and appreciation for these works, he continues to shed light on a period of art history that was once overlooked.